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André van Vuuren was born in Benoni near Johannesburg in 1945 and lives in Riebeek Kasteel in the Western Cape. Contributions include: "The 'Hidden Political Significance' of Andrew Tshabangu's 'Hostel Interiors'" by Ashraf Jamal "Dreaming of Transcendence: Andrew Tshabangu's photography" by M.Published to coincide with the exhibition, Standard Bank Gallery, Johannesburg, 2017. Neelika Jayawardane "Anecdotes Of That Which Is So Visible It Cannot be Seen: on the supernatural in Andrew Tshabangu's work" by Bonaventure Soh Bejeng Ndikung "'No Hawkers': signs taken for Johannesburg" by Hlonipa Mokoena "The Value of Andrew Tshabangu's Photography" by Simon Njami "Andrew Tshabangu's City" by Bronwyn Law-Viljoen "Incomparable: the art of Andrew Tshabangu in context" by Michael Godby Andrew Tshabangu has been making photographs for over twenty years.Contributions include: "Foreword" by Andrew Lamprecht "Meaty Heads and the Disciplining of Bodies" by Christi van der Westhuizen "Anton Karstel's Conventional Paintings in Contemporary South African Art" by Thembinkosi Goniwe Anton Karstel was born in 1968 in Pretoria. Catalogue of the retrospective exhibition of sculptures, University of Pretoria Museum, 2010.Sculptor Anton van Wouw was born in 1862 in Driebergen near Utrecht in Holland.Includes the essays: "Loaded Structures" by Amy Watson "Letter from the South-West" by Jürgen Bock "Àngela Ferreira: does she need more exposure in Mozambique?A discussion between Alda Costa and Rafael Mouzinho" "The Royal 'We' or 'A Time of Entanglement'" by Pamila Gupta "Àngela Ferreira's 'Werdmuller Centre' and the Failure of the Modern" by Noëleen Murray Text in both English and Portuguese.Includes the essays: "'Stains Upon Silence'" by Michael Godby "Feet Also Feature" by Sally-Ann Murray "The Picture Stares Back" by Gerhard Schoeman. A complex art installation bringing together issues of public sculpture, urban planning, city politics & performance art. Catalogue of the exhibition on the Werdmuller Centre, an iconic "failed" piece of architecture built in the 1960s in Claremont, Cape Town, Michael Stevenson, Cape Town, 2010. Angela Ferreira was born in 1958 in Maputo, Mozambique, and now lives and works in Lisbon.Published to coincide with the exhibition, SMAC Art Gallery, Stellenbosch, 2009.

Andries Botha is Senior Lecturer in Sculpture at the Durban University of Technology.He came to South Africa in 1890 to work in the booming building trade in the Transvaal Republic.His first important commission as architectural sculptor was to create the old Republican coat of arms for the pediment over the entrance to the Old Council Hall (Raadsaal) on Church Square in Pretoria.Includes an introduction by Johans Borman and paintings by JH Pierneef, Adolph Jentsch, Peter Clarke, Erik Laubscher, Cobus van Bosch, Walter Battiss, Cecil Skotnes, Simon Stone, Sanell Aggenbach, Clare Menck, Walter Meyer and Joshua Miles. Contributions include: "The Pastor's Gift", with a script by Junior Survivors of Performing Arts and art by Thabo Mondreki and Robbie Millan "Chippa my Auntie" with a scipt written by the Black Ink Arts Movement and art by Susan Opperman, Sabatha Ngesi and Thabo Mondreki "Petrified", a comic strip that came into being during a visual art performance event organised by CCIBA at the old cement factory in Philippi as part of CCIBA's Masterclass and Symposium on the Graphic Novel, coordinated by Andy Mason and Lieve Vanleeuw.The thirty-two artists who participated were tasked with creating, in a single day, an 8-page comic based on the work of Petrus Nooi, a sculptor who works in concrete and sells his pieces from his yard next to the road that connects Stellenbosch with the informal settlement of Khayelitsha.

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